Bug displays

We took one of our grandchildren to the Museum today, and spent a lot of time at the Bug exhibition that's on at present.

Some fascinating exhibits and information, and a great deal of interactive stuff which always goes down well. Amongst the latter was a computer programme that allowed you to form your own bug display.

Here are my two examples - not quite perfectly laid out, but pretty good!

An interview with writer, Rosanne Higgins

Hi, Rosanne, thanks for being willing to be interviewed about your first book, Inmates and Orphans, which I’ve recently read ˗ and enjoyed.

Can you tell us a little about yourself?

First of all, thanks for doing this, Mike!  I am glad you enjoyed the book. I am an anthropologist and small business owner living in Western New York. My husband and I own two doggy daycares. My business keeps me busy for about 60 hours per week so I do my writing and research in the evenings and on the weekends.

60 hours a week, and then you do your writing! So when did your passion for writing begin?

Very recently.  Until now, all of my writing has been for scholarly publications.  I have been a reader all of my life but I never thought I could write fiction.  It was a struggle at first, but after a while the characters just told their own story. Now I’m hooked!!

How many books have you written to date?

So far I have written Orphans and Inmates and A Whisper of Bones. These books tell the story of the Sloane sisters and their experiences at the Erie County Poorhouse and the Buffalo (New York) Orphan Asylum during the early nineteenth century.

Tell us about your first book. What was the idea that sparked it off?

For the past 15 years my scholarly research has focused on the asylum movement in the United States during the nineteenth century and the health consequences of poverty. While going through the inmate records for the Erie County Poorhouse, I came to know the people who sought refuge there.  I felt compelled to share their story, and I decided the best way to do that was to write a novel. 

Do you find your characters come alive as you write, or are they already real people in your mind before you start?

A bit of both, I think. I have a sense of the character before I begin to write, but often one or more of them will do or say something that takes me by surprise.

Yes, I know that feeling: in the first draft of my next book the characters kept arguing (as it were) as to who was going to be the real villain! Did your story change at all while you were writing it, or was it pretty much as you planned?

Orphans and Inmates came out much as I had planned, but that was not the case for Whisper. Some characters I hadn’t thought about showed up and a few threads in the story did not end as I had expected they would.

Was writing the book  a harder journey than you thought it would be?

Yes and no. Telling the actual story was easier than I expected, I suspect because I have been thinking about these people for so long. The problem for me is that I am terribly disorganized, and it took me a long time to develop an efficient system of notes that I could refer back to when I needed to recall certain aspects of a particular character, place or event.

Some people say that being a writer is the loneliest job in the world. Would you agree?

No, actually, I would not agree. I have become a “regular” in the research library at the Buffalo History Museum and I enjoy visiting with the staff and the other people who use the library. I have also met many kind and extremely talented people (like you!) along the way. I think now that we have so many social media options like-minded creative people can find each other very easily. When I am actually writing, I am never alone. My office is usually shared with two German shepherds and a standard poodle. Often I am stepping over furry bodies when I get up from my desk!!

I know that feeling. I've been babysitting two large dogs recently (we have a small dog of our own) and trying to find room to walk is sometimes an issue. 

What kind of writer are you, that is, do you write to a schedule or do it when the zone takes you?

I am very efficient and usually productive when I set myself to any task (I drive my husband and my son nuts!). I think because I juggled an academic career with a family for so many years I learned to use my time wisely. Those skills have served me well now that I juggle my business, family, research and writing. With a house full of dogs and kids, I learned to work well under pressure and in complete chaos. When I set aside time to work I always get something accomplished. If the characters are not talking to me, I try to outline the chapter I am working on or go back to organizing my notes (a never ending battle for me!).

Sounds like good advice for most writers. So apart from struggling to organize your notes, what's the most frustrating part of being a writer for you?

Marketing! I am still shocked that I wrote a few books that people outside of my family actually want to read! The hard part is taking this tiny amount of success and growing it larger. Like so many other writers I am short on both time and money. The trick is finding that cost effective way to generate interest in your work. I am trying to build a network of talented and innovative writers in the hopes that together we can figure it out!

Yes, a lot of self-publishing writers, I think, hear the stories of those who made it big in what seemed a matter of weeks. They don't hear about all the thousands who have sold just a few copies and wonder what they're doing wrong. So what has been the greatest lesson you have learned since becoming a writer?

I think the greatest lesson learned is that the self-publishing process is not that difficult. Any writer can produce a high quality book at a reasonable cost and distribute it through platforms like Amazon or Smashwords. Getting people to buy it is the trick!

How involved are you in deciding on the cover?

I am very lucky to have an incredibly talented husband and business partner. I describe to him my ideas for the cover and he puts together a sketch for the designer. We work with a company called Ebook Launch, and they have done a fantastic job translating the concept sketches for both books into great covers.

You sent me an example of how the cover of Whisper of Bones evolved from your husband's sketch to the finished product. I thought it would be interesting to let readers see this [sketch and final cover at left] 

What are you currently working on?

I am working on the third book in the Orphans and Inmates series. I am also working on a non-fiction piece on the cholera epidemics in Buffalo, New York, during the early nineteenth century.  I don’t think that will be a book, but there is a story there that definitely needs to be told.  I may just write a series of blogs.

How important is networking for you?

Networking is very important for all writers. I have learned so much from all of the people I have met along the way. Speaking as someone who grew up before computers were in every household (before computers at all!), I find it a small miracle to have connected with people like you, who live all around the world! I used to correspond with my cousins in Scotland as a child and it took weeks to receive a reply to my letters. You and I can communicate daily! In many ways that makes networking much easier, but the building of relationships still take time. A solid network of creative, innovative and motivated people is critical, I think.

Yes, I'd thoroughly agree, and it's not something that you can just jump in and do. You have to have online conversations with people, learn to trust what they're saying, and discover what you can offer each other. It also concerns me that some young writers ("I've written ten books" I saw one posting today) haven't really done more than produce a first draft. They don't realise that books take a lot of work. 

What, then, do you think is the biggest obstacle for writers getting their books out there today?

I think all too often people jump in the pond, so to speak, and become totally overwhelmed. There are so many other writers out there trying to do the same thing. I think the biggest obstacle is trying to build a network of like-minded people who can all help each other toward a common goal.

What advice would you give to any budding writer out there?

Go with your gut. If it make sense to you, do it. Don’t be afraid to ask questions and say what you really think. Start with the people who know you and build your audience and your network out from there. Above all else, keep writing.

What platforms do you use to promote your work?

As far as social media, I use Facebook and Google+.  I also have a blog and a website. I am very fortunate that my scholarly research is similar to my novels and I do local speaking engagements to promote both.

Many thanks for being willing to be interviewed. Finally, where can people find your book?

Here are three places to start:

Amazon 

Barnes and Noble

Smashwords

Toitu Otago Settlers Museum

We went to check out the much overhauled Otago Early Settlers Museum today, now called the Toitu Otago Settlers Museum, since the word settlers now covers a wider range of people than it used to.  Both Maori and Chinese get a good look in now, compared to virtually nothing in the past.   There's now a good flow from the new and expansive foyer to the 'stunning, original Edwardian galleries' and the building that used to house the NZ Road Services ticket offices and buses.

The museum has something for everyone (the only thing missing perhaps, are a couple of jacuzzi tubs for those whose feet get weary after trying to cover everything in one go).  There's video everywhere - a huge screen just beyond the foyer thrusts you into a kind of cosmic founding of the area with the word Toitu hammered home - in case you'd missed the point that the Maori were here first.  I was slightly bemused by the screens scattered around the place that show people either talking directly at you and explaining something of their history, or just looking in what seems to me to be a slightly dazed fashion at nothing in particular, but there's plenty of other video to check out.

There's a good deal of touch-screen, interactive material around too, and this is certainly interesting.  However, with the big crowd that was in attendance for today's public opening, it was a bit difficult to get onto some of these, even though we didn't go until later this afternoon.  Nevertheless, there's been a lot of thought gone into these screens, and the information is certainly of value.

The portrait gallery has been done up: no longer a higgledy piggledy jumble of photos from the past, it's now all in order and you can access who these people are in more detail on one of four screens in the room.  And there's a memorial room for the soldiers who died in the First World War, a sobering place where the names of everyone of the Otago soldiers who died is listed, and where there are books showing where they died and when.  My great-uncle, Frank Hannagan, is there.  He died at Passchendaele.  The rather damaged photo on the right is of him and one of his sisters, taken before he went overseas.   His photo isn't in the book at Toitu, for some reason, though the photos of many of the other soldiers are.

The museum has gone beyond its original concept of being a place focused on those who came to Otago in the 19th century (it had already started to do this before the renovation).  There are now a wide range of 20th century artefacts and vehicles, and of course the original 'Elsie', the computer that drew the Bonus Bond winners, as well as the first huge computer that was at one of the Dunedin factories.  And there's the Tiger Tea bus - which I rode on in the past - and the Maryhill cable car, which used to have a terminus outside the house I now live in, and in which I road on a number of occasions as a boy.  And fell off once, when I tried to get off before it had stopped.  That was outside my house too.

Plenty to see.  Make the most of it.  37 million dollars of your money has gone into this refurbishing!

Missing

Yet another report in the newspaper this morning about a missing military decoration.   It was on display for some time in a museum that no longer exists. 

We've had thefts from the National Museum, cunningly done over a period of time, and only coming to light in the last year or so.   That was theft on a grand scale.  This newest incident seems to be just carelessness on the part of those who should have been looking after the medal, a Victoria Cross which was awarded to Sergeant Donald Forrester Brown in World War I. 

The whereabouts of medals and other military paraphenalia, such as military rings, no doubt, is supposed to be recorded on the National Museum's Cenotaph data base.   But there's no record of it. 

Which means it could be anywhere: in private hands, accruing value as the years pass - recent auction sales of such medals have reached anything between $227,500 and $1.4 million.

My face

Two versions of my face acquired at the interactive Your Face Here exhibition currently on at the Otago Museum.

The left one consists of half of my face and its opposite, and shows how easily it is to misinterpret how your whole face should look.

The right hand image overcompensates for the problem, and makes me look much fatter in the face than I really am.

Neither is in the slightest bit complimentary!

Fortunately there was too big a queue to check out what we'd look like when we're (really) old, so I don't have those versions of me. Still, this was the best interactive exhibition I've been to at the Museum in many years.

Major Biosecurity Alert!!!!

Dunedin's relative newcomer on the newspaper scene, D Scene, seems to make up for what it lacks in real news by sensationalizing items that are fairly trivial.
The most recent example is entitled: Imported species escape. And in the first paragraph we find out: Imported exotic butterflies have been escaping from a popular Dunedin museum attraction, sparking a bio-security crackdown. Wow, you think, this is really serious. The paper goes on to say: Biosecurity New Zealand slapped warnings on Otago Museum after butterflies began bolting from its three-level Tropical Forest display.
Bolting? Butterflies? Come on. Fluttering, flittering, but scarcely bolting. Apparently the attraction came extremely close to temporary closure. (Yeah, like overnight.) Several 'critical situation non-compliance reports' were issued along with instructions for preventing further escapes.
It makes the butterflies sound like prisoners on the run, murderers, abusers, thieves, druggies.
None of these. Just butterflies, and as for the biosecurity alert, when the butterflies actually got out into the big wild world, they almost all dropped dead from the cold. Right outside the building. So no major escape into the wilds of Dunedin, infesting the local gardens with bright and beautiful colours. Nope, these little critturs didn't realise that the hothouse they normally live in isn't what it's like outside.
In fact, the biosecurity expert who was quoted above actually says, in paragraph seven, that the risk of some major disaster was 'negligible.' Of course it was.
A student gets in on the act. A Botany Department Masters student whose name I won't mention since his mana must have been much demoted after the way he's quoted in the paper.
"The butterflies were pouring out [of the building]. They just shimmy on through [the iron cladding]. Initially, there were tons."
Now even given the modern student's propensity for hyperbole, I have to ask: Tons?? To achieve tons of butterflies would require them to be present in their millions - billions perhaps. The Museum doesn't have millions of butterflies. This student was able to gather the ones who survived the escape and were sitting on the patio furniture (I'm kidding) in an icecream container (a large icecream container, no doubt). Then he took them back to the Botany Department. Doesn't that make him an aider and abetter of the escapees?
Further on this same student says he is 'confounded' that the Tropical Forest hasn't been shut down because of the escapes (which supposedly caused a 'panic' by the Museum staff - a panic that apparently took place over nearly two years). The Botany Department incurred a shut down. Over something. Apparently they work with frozen plant material, something that seems even less likely to escape, let alone survive, outside. Methinks there's more to that story than meets the eye.

One of the notorious escapees is pictured above (courtesy of the TF webpage); note the knotted sheets hidden beneath the wings, the bag with a change of clothes for after they've been through the sewer pipes, a wallet full of real money, the night goggles, and so on.

Stats at the all-time high!

Got my readership stats from the Orble.com site today and was pleasantly surprised to see that they were the highest they’ve ever been. Curiously enough, these high numbers are never reflected in their counterpart over on Google Analytics. I’d love to know why the two don’t match, but it’s not the end of the world. I presume Orble’s stats system knows what it’s doing.
Top of the list of posts on WorkReport.net is the one about the Titanic Museum. It’s been top of the list every time I’ve checked the stats. Again this is a curious thing: why does this particular post get picked up time and again? I don’t come up anywhere near the top on Google with this particular item, so how is that a bunch of people find my post each day? And what’s so hot about the Titanic Museum anyway?
I know that the movie, Titanic, is one of the all-time most-loved movies (don’t even consider asking me why), so does that have some kind of offshoot to the Museum? Who knows? As long as it keeps bringing one of my posts higher up the list, I’m happy!
The other top post, the one on Webitz.net, is called 69 Ways. It talks about a blog run by a 13-year-old (at least he was when I wrote the post back in 2007) called Make Money Online with a 13-year-old.
I’d love to know more about this guy – my suspicion is that he’s actually rather more than a 13-year-old. More likely he’s a smart adult cookie who thought that passing himself off as a teenager would have more effect. It obviously does! I wonder how long he can remain a teenager, though? Or won’t people care?
Anyway, his site is still a lot of fun to visit: full of money-making schemes, some of them typical of the Net as a whole, some of them workable. He also has an article on there written by someone else on driving traffic to your blog. It’s the sort of thing ProBlogger does well, and it’s the sort of thing that does drive traffic – just writing about it seems to do it!