See a 2021 update on this post at the end...
I wrote last month that I was intending to work on sorting
out the chapter order of the second half of my latest children's book, The
Disenchanted Wizard.
That was the plan, and I did it. But then along came my
co-author, and her opinion of the second half of the book was that it wasn’t at
all on a par with the first half. (In fact while she wasn't rude about it, she might as well have been.) I could only agree: there were weak
spots, the climax was merely a repeat of an earlier episode with a bit more
drama, and the characters had gone round in a circle to come back to where they
started when they should have been moving forward.
Quite disheartening, and for a few days I couldn’t see a way
forward. However, I began doing something an author called Peter Elbow had
suggested in a book (Writing without Teachers) that I’ve had for many years: write and keep on writing even if
it seems total nonsense, because at some point in the writing you’ll start to
find ways forward again.
Well, I did do this, and it worked up to a point, and then I
felt as though it was getting sticky all over again. I tried several creative
approaches, things suggested as ways to get the brain functioning in just such
a situation, and out of these emerged an idea of discussing the book with one of the characters. In this case, the
villain himself.
This proved productive (when he stopped sulking about not
being the hero), and more progress was made. And then when he seemed to want to
go off and do something else, I began talking to a ‘person’ I called the ‘Outliner’,
that is a person who prefers to write books by working them out in advance. (I
tend to be a writer who likes to write and see what happens...)
The Outliner and I are still discussing things, and bit by
bit solutions are coming to light. My co-author and I (yes, she’s a real
person!) will get together and start discussing these things face to face and
hopefully will make real progress, working out how the second half is going to
function.
Her perennial phrase to me is: You Can Do Better. And she’s
right. So that’s what I’m aiming to do currently.
Onward and upward.
23.8.21 It's interesting to come back to work that you'd forgotten you did when you were writing a particular book. I skimmed through the discussion with the villain; it was very one-sided, with me doing most of the talking and the villain seemingly choosing to be out of cellphone range most of the time.
But the discussion with the Outliner consists of a nearly 7,000 word two-part document written on two separate occasions a few days apart. I haven't re-read it all, but it looks as though the seeds of most of what eventually happened in the second half of the published book is there. And in this instance it's the Outliner that does almost all the talking.
Interesting how the brain works when it wants to...
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