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Saturday, March 31, 2007
In the Boston Accounting firm of Murphy & Co (nicely designed site, guys, and I think the hanging banners are great fun) they have a section on restaurateurs and their accounting requirements, which often have to be done at the end of a 16-hour day…or else before the 16-hour day starts. As they say, family-run restaurants are often bleeding cash without even knowing it.
I can’t imagine how some of these people actually manage to keep their head around all the requirements of running a restaurant. Just dealing with the food alone would be a nightmare for me, let alone tackling accounts at the end of a long, long day. (Very long, if you’ve had Gordon Ramsay effing and blinding at you for most of it!)
Thursday, March 29, 2007
But I think the people in Linden and Boulder have been here before - welcome back! - and there are definitely fans in Homai, Mangere, Mapua and Dunedin. Drop me a comment and let me know who you are. Don't just stay quietly in the wings, folks. I need all the friends I can get!
In the meantime, HitTails has once again thrown up a whole bunch of disparate keywords, including the following:
Athletes hand – and ‘itch between finger’
Swim brass crowl
Maggie Teyte Prize 2007
De mortuis nil nisi bene
Boy, they’re a mixed bunch. It’s good to see Anna Leese makes the list again, and the Maggie Teyte prize. But how did Bill Roache get in there? Turns out I have mentioned the bloke – and even included a picture of him when he were but a lad. Though the post had more to do with US soaps than British ones.
The swim brass crowl no doubt goes back to the fact that people can’t spell ‘crawl’ and Brent Stavig may have to do with a comment I made about books beside my bed, one of which was by Arthur Stavig.
The Toyota Townace has certainly been mentioned, but de mortuis nil nisi bene? Yes, to my surprise, it turns up in a post on Sigmund Freud.
I’m satisfied now. I hate to think of people coming to my blog without good reason. The only disturbing thing is how quickly I forget what I've written about!
I had to reread passages from Gilead several times – beautiful, luminous passages about grace, and debt, and baptism – before I half-understood them, however: there are complicated and striking ideas on every single page.
This is from the August 2005 column. I can only agree with everything he says about Gilead. It’s one of the most amazing books I’ve ever read. And I must buy a copy of that too, sometime!
The book is about Hornby’s reading habits over two or three years – he wrote a column on the topic which was published in a magazine called The Believer. Hornby is by turns hilarious, sober, nonsensical and surreal. It’s a great book, and I’m tempted to buy a copy of my own. Or else keep the library’s one for another patch.
‘[Gabriel] Zaid’s finest moment, however, comes in his second paragraph, when he says that ‘the truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more.’
Hornby is quoting from Zaid’s So Many Books, which is about the ‘problem’ of far too many books existing in the world. Hornby writes about this in the Oct 2004 column.
Saturday, March 24, 2007
I found the movie amongst the bargain DVDs in The Warehouse (which is rapidly becoming my chief source for lots of old movies on DVD) and thought, because it had Fred Astaire in it, there would be some dancing. Well, yes, there is, but it's slotted in a couple of rather odd spots in the movie and that's it. The film also stars Paulette Goddard and Burgess Meredith (who became Goddard's third husband - the marriage lasted only six years) neither of whom were ever known as hoofers, although Goddard does pretty well as a substitute for Ginger Rogers in a brief dance near the beginning of the movie.
And it has Artie Shaw, who was probably a lot more pleasant than he appears in the movie, where his looks make him seem as though he's perpetually rather fed up with things. Shaw's band plays a few times, and Astaire and Meredith both pretend to be trumpet players on a few occasions - quite well, in fact - but the thing is a hodgepodge story-wise, and it's only the energy of the actors that holds it together.
When Astaire dances the thing has all that life he brought to any dance he ever performed; otherwise it's seldom funny or anything, really.
Charles Butterworth, who performed in endless movies, usually as someone rather pompous, has an awful part in the movie as a rather dull man with plenty of money, a man who plays the mandolin badly and is led around by the nose by Astaire and Burgess.
Someone on IMDB has written a mini-bio of him: Popular supporting actor in 1930's Hollywood, often portraying effete, waffling types, even though he was not a professional politician in real life. Very neat.
There are two interesting things about this movie: it has a very long outside tracking shot of Astaire and Meredith talking, and walking towards the camera at all times. Yet there's not a sign of any tracks that the camera might be riding on. And Astaire, who was 41 at the time the movie was made, and Meredith, who was 33, are supposed to be college students. Admittedly they've purposely flunked their courses several times, but even so, you have to wonder at the casting.
Friday, March 23, 2007
The Dr Kellogg who developed Kellogg’s cornflakes, and other well-known cereals, began in a little place called Battle Creek, in Michigan. Kellogg wasn’t just a cereal man, but believed deeply in the benefits of holistic medicine, that is, medicine that wasn’t primarily drug-focused, but based in the normal healing of the body and other natural resources. He thought saunas were great for healing, and having spent even a few minutes in a sauna each time I go to the swimming pool, I can only agree. Although it’s bloomin’ hot to get into for starters!
Battle Creek is around five miles from the Stone Hawk drug rehab centre – or perhaps it’s more accurate to say it the other way round: Stone Hawk is around five miles from downtown Battle Creek. And Stone Hawk is also a place that believes strongly in a drug-free treatment of addicts. (Apparently many drug centres continue to use drugs as part of their treatment.) I read through a good deal of the information on their site: apart from being one of the best rehab centres in the US, with a 76% success rate, they’re situated beside a private lake called St Mary’s Lake. Have a look at the photo: just looking at it makes you feel better!
I’ve never had an addiction problem, thank the Lord (the first cigarette I was offered by an uncle years ago did nothing but make me cough and splutter – to the amusement of my assembled relatives – and that put me off smoking entirely), though like most human beings, no doubt, I’ve struggled with various things that want to take over my life at times. But the people at Stone Hawk are all ex-addicts, so they know the difficulties, and know that it’s possible to break free. Sounds a bit like Christianity, really!
And a bit more about Anna Leese. She’s had a newly-bred rose named after her, by Palmerston North City Council – it was the brainchild of Malcolm Hopgood, the public affairs manager at the Council. Palmerston North, as you might guess, is Leese’s home town.
She said, "It’s an incredible honour. I makes me feel immortal, in a way. My great-grandchildren will say that rose was named after me."
She’s back in Dunedin this week to sing in a concert at the Dunedin Town Hall. In the second half a concert version of Trevor Coleman’s soundtrack score for the tv documentary, Equator, will be performed, with videos from the series showing on an enormous ‘small swimming pool-sized television screen.’ (I want to know what they’re going to do with the thing after they’ve used it. Surely they’re not sending it back to Japan again?)
Talking of screens and orchestras: my last foray into playing in an orchestra was when I got roped into playing the piano part in Vaughan Williams’ Sinfonia Antarctica, which the Dunedin Symphonia performed. The screen side of the thing was that we showed videos from the Natural History series on Antarctica to accompany the music.
I hated playing the piano in this. The part wasn’t impossible to play – and it was buried underneath lots of other instrumental noises much of the time – but coming in at the right spot was a nightmare for me. I can’t seem to count bars the way orchestral musicians do, for some reason. I’m so used to having all the music in front of me (as for instance, when I’m accompanying singers) that having in front of me only my part of a vast wad of notes is very intimidating. I got so nervous about this that I borrowed the full miniature score from the library and had it at hand to check where I was in the proceedings.
The Anna Leese/Trevor Coleman concert is part of the Dunedin Heritage Festival, which I’ve read about (that is, skimmed my eyes across the info in the paper). Somehow I manage not to get to things like this. It takes a considerable effort on my part. Don’t ask me why.
Wednesday, March 21, 2007
I’ve tried all sorts of ways of planning, and keeping lists and so forth, but it’s often like a house of cards: as soon as you touch one card, the whole lot goes into a heap. At least that’s my experience.
The writing of the thing isn’t the problem. If I could get away with hoping that the reader wouldn’t notice all the inconsistencies, I’d be fine!
Monday, March 19, 2007
Postie.conHitTails continue to intrigue. It’s perhaps fortunate that I don’t get a lot of keywords popping up from them, as I’d never get anything else posted here. Not to worry, what does come up is well worth a look.
Gareth Farr naked
Portmanteau word boat
Howard shore kong score
Gareth Farr Naked. Well, I’ve never written about poor old Gareth Farr and nudity in the same sentence, so this one was a bit of a surprise. I’m not sure what the original searcher was looking for, but I don’t think it was Farr’s lack of clothing. And, rather hilariously, the response that Google got from my page combines two different posts together: one about Farr and one a quote from Michael Gurr in which the word ‘naked’ appears.
There seems to be a fascination with ‘portmanteau word’ and boat. But the interesting thing is that in Google’s responses there are three of my posts listed in the first five. Maybe HitTails’s onto more than we suspect!
The ‘crowl swim’ search was really for crawl swim and came from an Arabic site. But it isn’t only non-English speaking people who make this mistake and use my name for that of a type of swimming. Plenty of US bloggers write ‘crowl’ for ‘crawl.’ Must be a pronunciation issue. I’ve written an article about this which now appears on the Triond circuit.
Triond of course is the place I’ve got a number of articles listed at, and I managed to make the second page with Google’s responses for this one, which is quite something. And got two showings to boot.
‘Howard Shore kong score’ brought up my page somewhere way down the list. That’s okay. Merely to be in the Google listings is a major achievement these days.
Sunday, March 18, 2007
“Though a mother’s love is more ready to purify itself than most other loves – yet there is a class of mothers, whose love is only an extended, scarcely an expanded, selfishness. Mrs Appleditch did not in the least love her children because they were children, and children committed to her care by the Father of all children. But she loved them dearly because they were her children”.
Our Pastor also made the statement regarding those who think Jesus taught a prosperity Gospel:
God is not an accountant; He is a Father.
Whatever, I’ve not long finished her book, Brother of the More Famous Jack, which a friend enthused about some while ago, and wanted an extra copy of when I worked in partnership with a secondhand bookshop. We found her a copy, and later I found another, which on the strength of her enthusiasm, I bought for myself.
I read the first page or two and put it aside, not feeling particularly enthused by it myself, as is so often the case when someone else’s enthusiasms don’t seem to match your own. And then just a few days ago I picked it up off the shelves and started to read it. Seemed like a different book from the one I remembered starting previously, so that was good. And it is a good book, in the sense that the writing is stylish, and full of detail, and the characters are vivid and wonderfully-drawn, even down to the minor ones.
It turns out there’s virtually no story; apart from it being about a young woman finding her feet in the world after some rather troubling relationships, and then discovering that the brother she hadn’t thought much of in the past is the one who cares utterly about her, and whom she finally marries. That’s it. No great dramas, no plot in the accepted sense of the word, just plain storytelling about interesting people, from the first person perspective of a young woman who we’re never quite sure we know as well as she wants us to think we know her.
It did niggle me a little that nothing ‘happened.’ Something dramatic towards the end would have been a bit more satisfying. But that’s what it’s like and you just have to accept it!
What an emotionally-charged movie it is. Sean Penn gives the performance of a life-time, making us alternatively like and dislike this arrogant, young man who’s gone along with the disruptive antics of an older man whom he admires, and finishes up raping a young woman and killing her boyfriend to impress him. Even though he was 35 at the time the film was released, he is more than credible as a young man in his early twenties.
Susan Sarandon’s performance is more subtle, and a great deal is conveyed by her expression rather than her speech, but it’s far superior to many of the performances she’s given subsequently.
The Christian aspect of it, for once, isn’t made a fool of. Tim Robbins, as director and writer, could have made the priest who counsels Sister Helen into one of those caricatured religious beings who pervade many movies over the last two or three decades. Instead, he shows a man who is struggling to see the right way through a difficult situation.
But the three other outstanding performances are those of Raymond Barry as the father of the boy who’s been killed, and Lee Ermey and Celia Weston as the parents of the raped and murdered girl. These three must have revelled in the space Robbins gives them to give depth to their characters. We swing from sympathy to irritation to anger to sympathy again as we watch them relate their stories to Sister Jean – who isn’t always the most sympathetic of listeners herself.
And talking of space, you never feel as though this story is hurried in any way. There isn’t that rush cutting so typical of modern movies, where one scene is barely over before another one is shoving its way in.
One other performance should be mentioned: Roberta Maxwell as Penn’s mother. She could easily have gone over the top, since she’s a woman given to bursting into tears. Instead we have to face with her the fact that somehow she’s brought up a ‘monster’ and her bewilderment as to how this could have happened, and we are glad to see Sister Jean holding her in the worst moments, as that’s what we’d all want to have done.
Couple of bits of trivia: Jack Black has a relatively small role in it, as Penn’s brother, and there’s a popular indie-band in The Netherlands called "Seanpenn".
Saturday, March 17, 2007
Well, Google doesn’t do this, but Winzy does.
Winzy is a search engine where every search puts you line to win a free prize, prizes like iPods and Nintendos and Amazon Gift Certificates and even cash. I tried putting my name in it, and very obligingly, out of the first ten results, it brought up eight relating to me. Mike Crowl of Conroe High School only got two – and the first of those was sixth on the list. Very impressive. Google never does that! I’m seldom in the top one hundred.
But Google doesn’t offer prizes either. Oh, dear, what to do? Will I ally myself to Winzy? And then I see those fateful words: offer only available in the US of A or Canada – excluding Quebec. The poor people of Quebec must feel as downhearted as I do.
Winzy also offers online games. I can join in the free ones, like Deal or No Deal, but I guess the prize version of this again excludes me and the people from Quebec. I never knew I had any kinship with them before, and that alone has almost made up for missing out on searching the Net with prizes glowing before my eyes.
Apart from Mr Stark’s book, For the Glory of God, I also have a half-read copy of The Rosemary Tree by Elizabeth Goudge, which another friend at church recommended and which I haven’t really, in all honesty, been able to get enthused about. I find Goudge rather sticky somehow: overly concerned with analysing her characters, characters who are not very true – to me, anyway – in the first place.
Then there’s the pamphlet-sized, Rhymes of Second Childhood – a gift item for those who at last have come to their senses, by Arthur (Grandpa) Stavig. I wrote about Mr Stavig in the Taonga magazine (when I was still writing columns for them) and the particular column is online here. That will explain a good deal more than I've got room to say at present about his weird sense of humour.
The next book turns out to be a kid’s book called Furze the Fixer. This is by a friend of mine, Lorraine Orman. She and I corresponded by email for years talking about her writing and mine, and since then she’s become quite well published, with two or three young adult books available, and several of the Kiwi Bites series published (including the one I’ve just mentioned). I have read this – it just happens to be mixed in with the pile.
Next is A Vivid Steady State, by Lawrence Bourke. It’s a kind of literary assessment of one of my favourite poets, Australian Les Murray. But I haven’t really got my teeth into this book at all.
Now comes As Big As a Father, by Jeffrey Paparoa Holman. Jeffrey is a NZ poet who has published at least two books of poetry that I can think of. He and I had some brief correspondence by email a couple of years ago; he was on the emailing list of the shop I ran. I think I might have actually read all the poems in this book and his other one too!
Under the Net by Iris Murdoch and The Confidential Agent by Graham Greene follow next. Good old Penguin paperbacks. I’ve read them both, I think, in the past – certainly the Murdoch, which I remembered reading with great enjoyment. A second attempt as a much more mature person showed that it wasn’t the book I remembered at all!
Penultimately, Janet Frame’s The Goose Bath – poems. In hardback. With a nice dust jacket. All clean and nearly new. And mostly unread. Not because I don’t like the poems, but because you can’t read a book of poems straight off, and so, foolishly, I put the book beside my bed, and…
Finally, The Essential Calvin and Hobbes. Now I know I’ve read this through – if that’s what you say about what you do with a book of comic strips. It’s wonderful, great, marvellous, superb. Full of intelligence and wit, and at least five great comic strip characters. Bill Watterson can fly from intellectual musings to great hilarity –sometimes within four little cartoons. Hobbes is the all-time childhood companion, which reminds me of some companions of ours I’ll write about in another post later.
So there we are: some read, some not – which rather puts my theory to the test. And back beside the bed they go, until they all get a reprieve.
I wrote a piece on the online magazine, Quazen, the other day, called Dunedin’s Other Steep Streets. You can see a link to it in the Triond Articles’ box over to the left – the widget box, as it’s officially known.
In it I mentioned the fact that Dunedin has quite a lot of steep streets, including part of the one we live on. My daughter has phoned me to say, but what about ‘Libby’s Street?’ (Libby being another daughter of mine.) This street, which is really called Brunel St, runs parallel at one point to our street, and falls down the same piece of hill at a nasty steep rate.
I seem to remember it got called ‘Libby’s Street’ because she used to delight in us going down there at great speed, when she was younger. She might not be so keen these days, particularly if she had her kids in the car, as she got uptight at me heading at 30kph corners at a rather faster rate when we were in Christchurch once.
Being reminded about ‘her’ street brought to mind another incident with her. Back in the old days, when there such computers as the Amiga 500 (marvellous machines they were, too), Libby and I went to the Amiga Club one night, and wound up playing some game which involved people dropping suddenly off something (the details are little hidden in the mists of time, as you see). Each time a person dropped, my daughter would, without fail, burst into an hilarious laughter. The other patrons of the Club were not impressed. She hasn’t a nasty streak in her, but something about the sudden drop appealed to her – which is maybe why Brunel St was one she liked too.
I can't show you a photo of Brunel St, but there are some photos of Baldwin St, Dunedin's famed 'World's Steepest Street' on DelsJourney.com. Just scroll down the page a bit, and you'll see it. Brunel St almost gives it a run for its money.
Friday, March 16, 2007
I’m a very slow composer at the best of times, and you always read about film-score composers writing at white heat. I’m sure they do a lot of cut and pasting, but even so, it’s no mean feat to compose a score of up to an hour long, and make it fit someone else’s vision.
My closest real encounter to film-scoring was when I did some music copying in London for a full-time copyist. He worked in a virtual basement, could talk and copy at the same time, and could copy accurately at great speed. It was just about the time the photo-copier was beginning to make an appearance and he was making full use of it for parts that were basically all the same. I hate to think what the musicians who had to read my copying thought: it had an extraordinarily amateurish air about it!
I never actually caught up with the film; it was a version of Alfred the Great. David Hemmings was the star, and I think the film was panned pretty heavily, in spite of having some great actors in it, including Ian McKellan, Michael York and Vivien Merchant. The film score was by Raymond Leppard, who isn’t exactly well-known as a film composer. Lord of the Flies seems to have been his only other attempt at the medium.
These days, of course, anything to do with movie-making has been brought down to the level of the common man, woman and child. There are sites on the Net, including one called fliptrack.com now where you can download music to fit whatever video you’ve already produced, and make it fit – because there are also programs to download. I missed my generation really: fascinated by the movies when I was young, but in no position to make use of my interest, because movie-making was an expensive process far out of reach of the average joe like me. How times have changed.
Wednesday, March 14, 2007
How to find trade me members
Boat for workers
Anna Leese Maggie Teyte
Sings Harry Douglas Lilburn
Giles Hatterley Dawkins
Athletes hand athletes foot
Gareth Farr blog
The finding of Trade Me members is an interesting one. Certainly not a ‘key word’ phrase I’d have thought of. Euqally, the mysterious ‘boat for workers’ while it follows on my portmanteau comments, is odd. I’m not sure of the intentions of a person looking for a boat for workers. Some suspect character wanting to find a cheap boat to ship some refugees?
Anna Leese and the Maggie Teyte prize were only written about in the last few days, so I caught that one pretty quick!
My not-so-favourite composer Douglas Lilburn gets a look in, this time via Sings Harry, a song cycle I played with a friend of mine, Brent Read, a few years back. It has a rather skimpy accompaniment, I feel, perhaps because it was written for the guitar originally (if I have my facts right), but it is actually a piece of Lilburn’s I could be said to ‘enjoy’ – just. Brent is the tenor I wrote four songs for which he performed last year at a concert I put on. One of the world’s as yet undiscovered great voices!
I’d forgotten about the Hattersley/Dawkins connection – Mr Dawkins is another one of those people whose contribution to the humanities I don’t have a lot of time for, but here is, turning up on my doorstep again.
I’m not sure why someone would go looking for ‘athletes hand athletes foot’, but they did, and apparently this blog turned up in the results, in my athlete’s fingers post.
I’ve written about Gareth Farr more than on this blog, and will probably write about him again. There you go, Hittail!
The two who were on tonight were Emma Fraser and Sarah McOnie (pronounced Ma-Coney, with the emphasis on the Cone). Emma is a great singer and will go a long way, with or without the Lexus. I haven’t heard Sarah for some time – apparently she’s been singing overseas – and her voice now sounds dark and rich.
The judge for this year’s contest is a woman who, once in my youth, I was engaged to! She broke the engagement off, wisely, I think, since I probably would have got in the way of her career, which has been considerable. We haven’t had much contact since then: a couple of emails in the last few years, and the occasional letter out of the blue. Elizabeth Connell came from South Africa and went to the (now defunct) London Opera Centre the year after I was there. She then flatted in the same flat as me for a time – there were six or seven, or maybe eight of us, in the place, a long sprawling ground-floor flat with a garden out the back, in Stoke Newington.
A friend of mine used to get involved in online dating, and had some interesting experiences. For him, he felt he only met up with slightly wacky solo mothers who couldn’t get out and about otherwise. And he wasn’t that fussed about having a toddler tack along on the dates.
I did check out a bit of JustSayHi.com. There are a number of boxes to fill in before you submit your application, so I had a bit of fun giving myself the username of anatsyha (it has an unpronounceable ring to it) and being 25; discovering that by default I live in Barrington, Illinois (though I would have preferred it to be Boise, Idaho, really); finding I was going to be thought of as five foot tall with black hair (at first I thought I was going to be black), and that I was interested in travel, music, riding horses, cooking, art. Pretty good for a short-stop. I told them I was looking for my south seas belle – the default of a ‘San Francisco prince charming’ didn’t quite cut the mustard, since nowhere had I indicated I was gay. On reaching the last page, just before I might have submitted all this, McAfee told me that on the basis of their research I was likely to receive up to 189 spammy-type emails a week. Well, I guess that’s what I’d want really, if I were going in for this wholeheartedly!
Tuesday, March 13, 2007
Like me, he’s realised that a reading life doesn’t require you to read books just because people ‘who know’ say you should; nor does it require you to finish every book you start. Consequently I have never finished that dreary Booker Prize lump of lead called ‘the bone people’ (the pretentious, if I may be allowed to re-use the word, use of non-capitals marks it out as important – it isn’t). Equally I am rapidly coming to the conclusion that a book I’m supposed to be reviewing called Just Who Does He Think He Is? by George Webby, is going to go the way of unfinished books. I am sick of people writing about their lives and telling me when and how they masturbated and seeming to think this is somehow important. It isn’t. 100% of men have masturbated in their youth, either because they thought they should, because they just wanted to, because it seemed a good idea at the time, because they couldn’t help it, because if they didn’t all their friends would somehow know – or they have not masturbated, either because they were convinced they shouldn’t, or because they didn’t want to, or because it never seemed that great an idea, or because they were perfectly able to help, or because they didn’t give a toss (if you’ll excuse the pun) what their friends thought.
I couldn’t care less about Webby’s sexual life. I thought the book was about what he did in the theatre, which to me would be much more interesting. (It may eventually be, if he ever gets there.) Nor do I care that he thinks he knows more about religion than God. He doesn’t, so why doesn’t he keep his trap shut on the subject? And how is it that he gives his father a mere two pages of existence – almost as an afterthought when he realises he’s hardly mentioned the bloke (who fathered ten children in the family) – and prats on about his mother endlessly? Did his father have no life or character? He must have had something to have lived in a house with Webby and the other siblings, all of whom (except the one who died young) go almost entirely unmentioned.
Well, there we are: I’ve practically written the review already, and I haven’t even got past page 65.
Monday, March 12, 2007
What have the stamps got to do with this? I'm told that Simon is the opera singer in the series - top right corner.
Meanwhile, Anna Leese goes from strength to strength, this time winning the Maggie Teyte prize. Part of the prize (not sure if this is something to be regarded as a ‘prize’ or an ‘endurance test’) is to sing a recital at the Royal Opera House. Hmm, that’s some place to sing in.
Years ago I had a friend called Donald Rutherford, with whom I toured round New Zealand doing La Boheme for the NZ Opera Company, when they were presenting what they called piano tours. I was the ‘piano’ part. Donald left NZ after that to go and join a Canadian opera company, and we lost touch. And then in the late sixties, when I was in England, he turned up out of the blue. He’d been engaged to understudy the part of Hamlet in an opera written by Humphrey Searle. This was an opera composed in the 12 note serial format, a method, which in my view, is counterproductive to good composition, but that’s another story. What it meant was that the thing was bloody hard to sing. Donald got the job as understudy because he’d been in the original production in Canada, as I recall, and knew the part well. Unfortunately, he had to go on, as the person who was supposed to do the part, was ‘indisposed’ as they say. I saw his performance, and it would have been good in a much smaller house, but the Royal Opera House is massive, and only voices that are naturally huge will fill it. It seemed as if the place was swallowing Don’s voice up every time he opened his mouth. Hamlet, I think, has gone the way of all unsuccessful pieces. And probably a good thing too!
Alongside Anna Leese and Simon O’Neill, Ana James, Jonathan Lemalu and Teddy Tahu Rhodes all continue the upward rise in the opera world. Rhodes is not someone I’ve ever met – if I recall he was involved with the Christchurch Opera Company at one time. Think he may have been in the full-scale production of La Boheme that they brought to Dunedin about eight years ago. My younger son appeared in it, as part of the local chorus brought in for the occasion. He had a brief moment of visibility as the waiter who cleans up after Musetta has tossed her glass to the floor and shattered it. Such is fame.
Still, my personal preferences aside, many people do enjoy fun parks, and Orlando Fun Tickets site, where you can get Walt Disney World Tickets, is obviously the place to book if you’re going to go to Disneyland and its environs.
Disneyland also offers the rather awkwardly-named Magic Your Way tickets. These are basically tickets in which you can choose what you want to go on rather than leaving up to someone who’s decided that ride number fourteen isn’t as popular as it should be so let’s bung everyone on there. And they’ve structured the pricing so that you save more if you stay longer. They have a catchy little phrase: ‘the longer you play, the more you save,’ which to my ear is clunky rather than catchy. You expect it to run: ‘the longer you play, the more you stay,’ or something of that ilk, but no, some artisan with a tin ear thinks play and save have a natural ring to them.
A portmanteau, as all my readers will know (all five of you), is a large travelling bag of the sort used in 19th century novels. It was large enough to contain compartments, and thus, because it carried a variety of things, the word has come to mean the putting together of disparate objects, or even more particularly, the slotting together of two other words to make a third.
Here’s a definition of its origins from the Online Etymology Dictionary
"Travelling case or bag for clothes and other necessaries," from M.Fr. portemanteau "travelling bag," originally "court official who carried a prince's mantle" (1547), from porte, imperative of porter "to carry" + manteau "cloak." Portmanteau word, a "word blending the sound of two different words," comes from around 1882, and was coined by Lewis Carroll for the sort of words he invented for "Jabberwocky," on notion of "two meanings packed up into one word."
I’m can't quite figure what two words Jabberwocky comes from. Jabber, yes, but Wocky?
Anyway, the other major ‘key word’ was Sanchona. Now to many of you (perhaps four of the five), this is not a word with which you will be familiar. But I know it very well. Sanchona is the pseudonym of a friend of mine in Australia who has written a saga on the early days of Australian commercial history. We first ‘met’ when we were both members of an online writing group. I used to read her book chapter by chapter and comment on it. She would invariably reject my comments, but ce la vie! The book that I read hasn’t been published yet, as it was the second part of her series. But her first book is available, and is called A Family of Strangers, and I have a paperback copy. I hope it’s selling well after all the hard work she put into it, chasing agents around the world and revising and revising - and revising!
Sunday, March 11, 2007
From chapter 5 of Brother of the More Famous Jack, by Barbara Trapido.
I’ve written before about the way in which silver is still regarded, apparently, as a much more worthwhile investment than money, or stocks. Don’t ask me how the stock market works: for all my investigations into it over the years, it doesn’t seem any more reliable than betting on the horses. And the other day, again, there was great fuss in the stock market world because China had had a bit of a dip. Oh, for goodness’ sake! When will stockmarket people recognise the simple fact that stocks rise and fall on a regular basis, and if you hold your breath long enough in a down time, you’ll find they’ll come up again in due course. They’re rather like whales: sometimes they live above the water, sometimes below.
Silver, on the other hand, isn’t prone to all this roller-coaster stuff. And the only issue with it, it seems, is that it’s getting harder to purchase. Monex makes the somewhat poetical, but not entirely clear, comment: Above ground stockpiles of silver bullion are low, shrinking rapidly and approaching zero.
So…if they’re not above ground, where are they? Never mind, I’m not in the position to purchase silver at the moment, but it’s something I’ll keep in the back of my mind in case a sudden windfall comes my way.
It almost has a story, too. In fact, for several scenes at the beginning there is no sign of the Marx Bros, and a ‘plot’ takes over. Once the brothers get into action, though, the plot goes pretty much out the window, as you’d expect. I enjoyed it, and would happily watch it again – though it’s the sort of movie you need to see with other like-minded people.
Naturally there is a Harpo playing the harp sequence, and a Chico playing the piano sequence - both of them superb, though neither of them in the least different to the same moments in all the other Marx Bros movies. And there's one of those marvellous word-play scenes, where Harpo is trying to get a message across to Chico, and mostly uses puns to do so. These are well worth watching.
The second movie again, Take Me Out to the BallGame had almost no plot – but then it was a musical, so what would you expect? Gene Kelly and Frank Sinatra star, one the skinny rake, and the other the short-stop. The thing quite often takes off on its own stars, and the final song ignores any idea that there was reality in the story and sums it all up with some nice in-jokes about Fred Astaire and the like.
It survives because of its energy, which is considerable. Sinatra dances with almost as much élan as Kelly, and sings much better. Esther Williams proves she could do a lot more than swim (in fact she barely swims in it at all, thank goodness), and Betty Garrett takes up the usual role of the other woman in the quartet: for no good reason as far as the plot is concerned, but what the heck. She has energy to burn, and her song with Sinatra when she’s chasing him over the bleachers (the piece revolves around a baseball team) is full on. The songs aren’t up to much, unfortunately – there isn’t a well-known song in it, in fact –and the big dance routine is a real hotch-potch, but…it’s still watchable.
Well, within half an hour I knew this wasn’t going to happen: no energy, and real aching now around my back and neck, and unable to concentrate. Took some Panadol, but that didn’t make much difference, and survived until around lunchtime when I had some lunch. Which I lost later in the day. And lost more of later again.
I must say, at least, this wasn’t your awful retching type of vomiting; the stuff came up as easy as pie and almost comfortably. But it took me until this morning to feel right.
I’d stopped eating anything after the first lot of vomiting, and my wife went and got me some ginger beer, which my mother always used to swear by when the stomach was playing up. It certainly does stay down, and whatever it does, is okay by me. Late last night I had an orange, the most juicy, most wonderful orange ever tasted by man. And it stayed down too.
It’s only when you’ve been unwell that you realise just how well you are most of the time. I got up this morning, and apart from being rather stiff from lying down so long, I was fine. Ate breakfast with no problems (in fact, my stomach had been grumbling in the ‘I’m hungry’ mode for some minutes before I got up). Wellness is a wonderful thing, and I recommend it highly!
Saturday, March 10, 2007
‘Believing your value as a human being is measured by your independence and separation from others is the great lie of the market-driven world.’
From Michael Gurr’s memoir Days Like These, quoted in Time Magazine 6th Nov, 2006
‘On the early trains, slightly damp hair and recently applied make-up give you access to bodies so lately asleep or naked that it can induce a sensation like the swoon of a long kiss.’
In regard to writing his memoir, he discovered his aim was:
‘To put a bit of steel back into the language of ideas that have come to be seen as soft, nebulous, weak. All the things that have been stripped out of the national conversation.’ This follows from an earlier comment about Australian politics: ‘I’ve never been angrier. Our current national government has presided over a time of almost unbelievable moral corruption.’
Thursday, March 08, 2007
We used to blame it on the gas heater, something we’ve long stopped using. I liked gas heaters but sometimes there was a smell that permeated and became intolerable after a while. Usually it was a problem with the heater rather than the gas. I liked them because they were close to open fires in ‘feel.’ Open fires – I miss ‘em. We used to have two in our house: one was absolutely pathetic, but it survived quite some time. The other we got rid of early in the piece when we made two rooms into one. But there’s nothing quite like an open fire. (Now with global warming stuff going on all around us, open fires in houses are almost unheard of.)
Back to the mould. I came across the New Jersey Mould Company (sorry, guys, I can’t spell mould the way you spell it – it just don’t look right at my end of the world). And when I checked out their site, lo and behold they have a Mould Dog.
I quote, "Traditional mould sampling won't find the mould hiding inside your walls. Hunter the mould dog will."
I’ve included a picture of Hunter, who looks like a nice friendly feller. The people at NJMC go on to say: "Dogs have been trusted for hundreds of years to detect and locate things that humans can’t find. Since 2003 we have been using specially-trained dogs, trained just like bomb dogs or drug dogs, to detect and locate the source of mould growth by detecting the gasses (MVOC’s) mould growth gives off."
I find this most intriguing. I’m not sure that Hunter would have much trouble tracking down the annual mould at our place – although he might have a bit of trouble reaching it…! However, he might also find mould we hadn’t discovered ourselves. Now that would really give my wife something to "mention" each year!
I looked on the Net, but the origin of Hiduke is as elusive as the reason why someone was looking for Andrew J on my site.
Perhaps there's someone out there who can help?
Wednesday, March 07, 2007
For a start my experience with HitTail was rather disappointing. I knew that not many people look at this blog, but getting the sense from HitTail that nobody at all was looking was disheartening. However, since then things have picked up and HitTail tells me a few people have actually come across my site…by accident. Well, that’s what happens when you go searching: Google brings up all manner of things, like a fisherman fishing in a particularly polluted piece of water.
Now the curious thing is that HitTail tells me that the following were noted as being searches that brought people to my site.
Portmanteau word boat for workers
Andrew J Hiduke
Of these, five can said to be reasonable hits: I used the word ‘portmanteau’ in my last post in regard to condominiums. Godunedin is a post that’s been on the site for some time, when I commented that I always misread it as God in Dunedin. Anna Leese turns up in another post as one of the three NZ singers who sang together in the UK whom I’ve played for at some time in my life. Timelock is the name of a movie with Sean Connery in a very minor role that I mentioned recently.
And of course Mike Crowl is ubiquitous.
Postie.com hadn’t clicked with me until I did a bit of searching myself and realised it’s part of PayPerPost’s current expansion. So we can accept that as a reasonable search result too.
But Andrew J Hiduke? He definitely doesn’t turn up on my blog – at least not when I do a search of either it or the brain of the writer who wrote it. You can’t even find Andrew J Hiduke on Google. We get a James J, and an Andrew D, but around about then the trail really runs pretty cold. Did Google say to itself: heck, we can’t find this name anywhere on our billions of pages; let’s just throw the searcher off the track completely and send him off to a random blog. Here, there’s one that no one ever reads: Mike Crowl’s Random Notes. That’ll put him off!
Andrew, whoever you are, I hope whoever was looking for you has found you. I’d hate to think of the two of you alone in cyberspace, searching for each other, and getting tossed off into random blogs like mine.
Saturday, March 03, 2007
I’d forgotten, until I was reading up a little on Florida, about the Florida Keys. Key West is one of them, and I thought it was also the name of a highly romantic, swash-buckling kind of movie that I saw as a child, and haven’t forgotten. But it isn’t. I thought it was a movie by Cecil B de Mille. But it wasn’t.
Anyway, all that aside, property in Florida is becoming the preferred option for lots of Brits, it seems. Brits with some cash to spare, that is, as these wonderful beach front properties aren’t quite going for a song. Still, unless you’re retiring there, you could always rent your condominium out to other fellow Brits who want a taste of the long stretches of beach, and the wonderful, warm weather. (Just don’t tell them that Florida also gets a lot more lightning than most places in the US. Still, lightning, as they say, never strikes twice, so they should safe enough!).
Condominium always strikes me (since we’re talking about strikes) as a most odd word – even odder that we should have it in the language when most people chop it down to condo. And now there’s another portmanteau word: dockominium, which is the water-based version of a condominium. However, rather than owning an apartment in a building, one owns a boat slip on the water.
You’re going to ask me where the word, condominium, first came from, aren’t you? I’m going to tell you, anyway, since I was curious enough to look it up. According to the Online Entymology Dictionary, it dates from around 1714, and was apparently coined in Germany from com- "together" + dominum "right of ownership." It remained as a word in politics and international law until the sense of "privately owned apartment" arose in American English as a special use of the legal term, in 1962. The abbreviated form ‘condo’ was first recorded 1964.
There you go. All you wanted to know.
We were invited because one of the Fellows is an old friend of mine – and my wife works with his wife. The three Fellows are the Burns Fellow, the Mozart Fellow and the Frances Hodgkins Fellow. My friend is the Mozart Fellow, which means he gets a year’s time associated with the University in which he can be relieved of working to deadlines, finding new work, creating music he may not want to create and so forth. He can spend the year thinking about what he’d like to do, compositions that don’t require to be for something.
Anyway, while we were there we met another old acquaintance, also a musician, who, during the course of our conversation mentioned that his twenty-something son sells on Trade Me, full-time, and ‘is rather tight-lipped about how much he makes.’ The indication was that the son was doing very well, selling imported CDs. I’d like to know who he is, so I could check him out, but it’s not easy to find who people are on Trade Me, since we all go under usernames.
I’ve been selling secondhand books on Trade Me for the last five or six months, as I’ve probably mentioned before. I’ve done reasonably well, but would hardly call it making any sort of living. It’s a hobby at this point. To sell on Trade Me you need to focus on some part of the market where you can buy small so you can sell big. Plainly imported CDs are one area, and in the book on successful selling on Trade Me the author talks about a young man who set out to become a millionaire on Trade Me, in spite of lacking any start-up assistance from Work and Income. He sells a lot of hand-held technology and the like. He has become a millionaire, and he basically imports at a fraction of the cost and sells at prices below the usual NZ retail. Obviously, if I was to take up Trade Me as a job, as some people have done, I’d need to get into a market rather more ‘with it’ than secondhand books. Which would mean throwing aside all I know of books, and starting afresh. Guess it’s never too late to learn…but!
I was reminded about this in regard to the following quote, which I picked out the Star Weekender – it was published on the 24th Feb, 1985, and was attributed to the Rev Dean Robert Mills, then Dean of St Paul’s Cathedral, in Dunedin. Lent must have been early that year.
"Have you been dieting since Wednesday, or walking to work instead of taking the car? Maybe you’ve stopped buying Golden Kiwi tickets. These little forms of self-denial are often practised by people over Lent."
When I get a half hour to spare, I like to fish amongst the randomly-binned DVDs to see if I can turn anything interesting up. The other day I came across the following:
The Lady Vanishes, one of Hitchcock’s most delightful suspense pieces, with a marvellous cast, and Hitchcock’s black humour that predates the classic Cary Grant/Hitchcock combinations. I've seen this at least three times previously, so haven't watched this particular copy yet; just added it to my growing Hitchcock on DVD collection.
The Dresser, with Tom Courtenay and Albert Finney – I’m yet to watch this, but I suspect that the performances will be top-notch.
The Vicious Circle (also known as The Circle) with John Mills. This is a murder mystery/suspense thriller piece, written by Francis Durbridge, who relies on adding something out of left field in almost every scene in order to keep the thing humming along. It’s absurd, but fairly watchable, though John Mills never quite looks at home as a Harley St specialist. Wilfred Hyde White, as always, plays Wilfred Hyde White.
And lastly, Timelock (also known as Time Lock), which was made in 1957. The packaging for this is a bit of a failure under the Fair Trades Act: it lists Sean Connery in large letters, as though he was the star. In fact, he has something like three or four lines somewhere in the middle of the piece, is a relatively unimportant character, and makes little real impression. That’s no mean feat, given the nature of this movie. It’s directed by Gerald Thomas, who went on to direct some thirty or more Carry On movies. His direction is bland in the extreme, and in a piece where tension is required, he manages to elicit almost none. His cast, taking their cue from the director, play the whole thing in such an off-hand way that you have to wonder whether they’d all decided the thing wasn’t worth the candle, and they’d get it over and done with as quickly as possible. As an amateur reviewer on IMDB says, even the child who gets stuck in a time vault at the bank and is the cause of all the fuss is awful: he has no acting ability whatsoever. Fortunately he has very little to do, and he does most of it early in the piece, and is then seen no more until the end, when he has to play virtually dead.
Friday, March 02, 2007
One blogger wrote that she can no longer make any money at PPP and that all the changes are terrible. I have to agree. She adds that even with a Google ranking of 4 or 5 she can only write about ‘high interest payday loans that loans destroy poor people, or silly online dating sites, and I will not blog bout those on my site.’ She also questions the idea that a 300-word post should require a Google ranking of 7 (does Amazon get a 7?) when it only pays US$6. She asks, ‘Why would anyone waste their time writing 300 words for $6 on a high ranking blog?’
I can only agree, yet PPP seems oblivious to all this. They’re plainly going for gold with their blog marketing, telling us that the new segmentation system awards bloggers with high traffic blogs. Well, big deal, that’s no news.
They say that we could make $1000 for a single sponsored post! Hmm, I haven’t seen any $1000 opportunities, but again, what sort of traffic would a blog need to gain that much money for a single post? Come on, PPP, let’s get real.
And then there are the opinions on everything and anything that’s going. Some of these are surprisingly at odds with the media’s opinion, and sometimes they add extra facts that open up cans of worms. And then there are the stories, which the better storytellers seem to have an endless fund of. It’s certainly a different atmosphere to the one I’ve been used to for my last somewhat sheltered seventeen years.
Having finished Mr Wain’s book, I’m now reading my way through The Bravest Man, by Jenefer Haig. (Yes, she does spell her name that way.)
It’s a book which not only collates the four Gospels together in a way that gives them a real chronology, fitting the various stories and incidents into their appropriate places – as far as anyone can – but it also offers a kind of running commentary to give us some history and background to the stories. It’s well done, and apart from some typos and proof-reading errors, is a reasonable publication.
Apparently – and I only vaguely remember this – Mrs Haig, who lives in Oamaru, brought an earlier version of her book to my attention some time back, when I was in the shop, and I told it was too expensive for the kind of market she was aiming at. And, I think, it was too big.
Anyway, she’s now dealt with both those issues (such influence I have never ceases to surprise me!) and brought it down to about 80 pages. It’s very readable, and I think would be very good for anyone who was just starting into the Gospels. Certainly it makes the hard work of putting it together seem easy.