Showing posts with label hallows. Show all posts
Showing posts with label hallows. Show all posts

Thursday, December 17, 2009

Deathly Hallows

Just finished re-reading Harry Potter and the Deathly Hallows. I must say I enjoyed reading this again this far more than episode six, which didn't seem to have the zest and life this last book in the series has.

Admittedly the middle section sags, and it's hard to credit that the three main characters would really spend so long in hiding doing nothing except arguing about how to find the Horcruxes. Rowling has the problem (she's set it herself) of covering the whole school year again, and this drags things out; it also means that a lot of people who don't appear in that middle section seem to have done nothing while waiting in the wings. However, the first and third parts of the book more than compensate for the trough in the middle, and Rowling has surprises galore up her sleeve. She even manages to interrupt the final battle section with a long flashback - and get away with it. Of course, it's vital stuff, and there was no way she could reveal her hand earlier.

There are deaths on every hand: adults and youngsters (many of them major characters) die in this book - along with Dobbie, the elf. And some of the deaths are particularly touching: when Fred - one of the Weasley twins - dies suddenly and without warning, it creates a huge emotional hole. There is chaos too, and there are scenes of great violence - even before the climatic battle. Luna Lovegood's house is virtually destroyed, as is the house belonging to the old woman, Bertha. Gringotts, the goblins' bank, suffers considerable damage when a dragon is let loose inside. And Hogswarts suffers tremendous damage at the end. This book is a long way in tone from the first in the series - though it surprisingly has more real humour in it than the sixth.

There are also many warmer scenes: Bill and Fleur's wedding is a prime example. Apart from the sagging in the middle of the book, Rowling's allowing herself plenty of room to tell the story shines up particularly in such sections. And her imagination seldom flags; we're constantly introduced to new pieces of wizardry. We're also given some breathtaking moments that are written with immense verve.

I found it intriguing that I remembered hardly anything of it except the fact that Fred died, that Molly Weasley dispatches Bellatrix, that the middle sagged (but I couldn't remember why) and that Neville Longbottom came into his own somehow at the end. Beyond that virtually nothing. I probably read it in an enormous rush (in my brother-in-law's house in England) and didn't absorb it much!

The Guardian newspaper has recently run a series called 'The people who ruined the decade.' Harry Potter is included, mostly because, the writer complains, there have a been a lot of 'wannabies' in the movie business supposedly imitating the series. However, The Chronicles Of Narnia, Lemony Snicket, The Golden Compass, The Spiderwick Chronicles are hardly imitations. The first Potter book came out in 1997 - Pullman's book is a couple of years older and Narnia is more than forty years older. Snicket's Series of Unfortunate Events are roughly contemporaneous with Potter, and only the Spiderwick Chronicles is younger. Plainly the writer isn't a Potter fan. Too bad.

Thursday, December 10, 2009

Re-reading Harry Potter

I came across a book recently (the name of which I've forgotten) which was about re-reading the books you had on your shelves. The author had spent a year going back through the books in her home instead of buying or borrowing new ones. (I wrote about this somewhere else, but have forgotten that too!)

I doubt if I could commit to a year of only re-reading (the library is far too close to my workplace for that to happen) but I think some re-reading is a good idea. Not entirely as a result of this (perhaps more because I watched the DVD of Harry Potter and the Half-Blood Prince the other day - and was only slightly more impressed the second time around than I had been at the cinema) I began to re-read the Half-Blood Prince again.

Not surprisingly, it's far more detailed than the movie - the latter chops characters and incidents out on every side - and I was kind of pleased to have it confirmed that one particular scene in the movie hadn't been in the book at all - the one where the Weasly's house is attacked by death eaters and then burnt - because I remembered thinking both at the cinema and while watching the DVD that it wasn't part of the story. I'm not entirely sure what it's doing in the movie at all, except perhaps to reintroduce some of the characters. As a scene it doesn't entirely work in plot terms (Harry would probably be annihilated, as would Ginny, when they run out in the marshes). In cinematic terms, of course, it's fine.

However, I was surprised to find that the book turned out to be less-well written than I'd remembered. It lacks the quality of the writing that made me stop at the corner of Filleul St and St Andrew St after I'd bought the first Harry Potter book a decade or so ago and just read. Here the language and style is rather more prosaic, especially when dealing with some minor characters. The main actors in the story still have their individual voices, pretty much, and Voldemort as the child and teenager is as appallingly scary in the book as he was in the movie (both the boys played him very well), but some other scenes are just there. They have a feeling of being written, but not written with much passion.

That aside, I still found it worth reading again; there are some great set-pieces, and the gradual unfolding of the plot (which of course happens at a much slower pace than in the movie) allows things room to breathe - perhaps a bit too much room (especially when it comes to the snogging), but that's okay. Rowling's world became so full after a while, it was a bit as though she wanted everyone to enjoy it as much as she did.

In consequence I'm now re-reading the last in the series (Deathly Hallows). This opens with a lot more energy, and after several chapters that same energy remains. Hopefully that's the case throughout.

I haven't read this since it first came out back in 2007 - we ordered copies in England while we were there, and had it delivered to our door the day it was released - so once again I've forgotten a huge amount of it. It's very dark, naturally, and it's going to get darker. But man, it's a page-turner! I've only one quibble. There are now so many characters that you virtually need a name dictionary to keep up with who's who.