Five top blog posts

I'm always interested in stats, though that doesn't mean I always use them well, or understand their finer points. 

Blogger obligingly provides stats on a number of things related to my posts, and, out of curiosity today I checked the top blog posts of 'all time' from my blog. They're a real mixed bag, and there seems no rhyme nor reason as to why any of them should have been viewed so often. 

But for the record (because possibly they'll change at some point) here are the top five posts as of the 16th August, 2017. 

Top of the list is the Commonplace post which dates back to 2011, and is a bit of a riff on the word insurance, and the sorts of things that came up when I searched that word on my Evernote. A more random post you'd hardly imagine. Perhaps people search for the word insurance a lot! It's had twice as many views as number two on the list. 

Curiously enough, I hadn't checked this post for a while. I'd thought it related to an entirely different subject... 

Number two is Random thoughts on the Zirka Circus which goes back to 2010. This was a positive review of a small circus that was touring New Zealand at the time, and in fact has been back again at least twice since then. You'd think small circuses wouldn't be very impressive, but in fact they often include considerable talents (and these people really work for their money), and are very enjoyable. But then, I'm a circus fan from way back. Though I must say I miss the performing animals, even if that isn't a very PC thing to say anymore. 

Third on the list is Skinny ties, also from 2011, which seems a most unlikely subject to be viewed Twilight series, Robert Pattinson. It's been amongst the top five since it first appeared, pretty much. I wonder if it has to do with the photo that accompanies it, which may possibly be the actor from the Twilight movie, Robert Pattinson. 

Fourth on the list is Debating Compost, which dates way back to 2007. It's a brief piece arguing that cooked foods go just as well in composts as uncooked. Though someone's concern about this was that it encouraged rats. That's possible. We used to have a cat who dealt successfully with any rats and mice around the place, but when my daughter moved out, she took the cat with her - it did belong to her after all. During the course of the move the cat walked out the door of the new house and vanished for a couple of months. The daft thing was living at the park just down the road and was being occasionally fed by some kind person who eventually took it to the Vet. The cat had been microchipped, so the Vet was able to identify my daughter as the owner. 

And fifth is Fat amplification, the most recent of the bunch, from 2016. It's merely a bit of chat about the joys and woes of amplification of musical instruments, particularly in a church setting. Maybe the problem is widespread!

Cirque du Soleil: Worlds Away

We went to see the movie Cirque du Soleil: Worlds Away recently, in 3D.  I haven't had much experienceof the new style 3D, so far, apart from seeing Alice in Wonderland in the format more than a year ago.  That particular movie didn't grab me enough to make me want to feel that I needed to see things in 3D for the sake of it, but we couldn't see Cirque du Soleil conveniently in 2D, so we opted for the only other choice. 

It turned out to be the right decision.  I suspect that some films are made in 3D for the sake of it, and some are planned that way.  Worlds Away gives the impression of being planned for the 3D format, and is all the better for it.  There's a depth to the visuals that allows things to be going on in a number of places at once and still be visible (although this being typically Cirque du Soleil, there are always random happenings going on that you only just catch).  Two or three times a person is caught right at the front of the shot, almost in silhouette, and that didn't seem to work (you wondered if an audience member had just stood up) but otherwise everything has a marvellous clarity. 

The film is a compilation, basically, that tries to be a unity by having a very basic story running through.  However the story is so thin, that it hardly holds the thing together.  A small town girl goes to a circus, sees (only for a moment) a man working at putting up the tent, falls in love with him (apparently), discovers that he's the Airealist in the circus, and distracts him while he's performing. He plunges to the floor, except the floor proves to be sand and gives way beneath him and he vanishes.  She jumps in after him and finds herself.  Well, who knows where she finds herself - perhaps inside the Cirque du Soleil.  Only there are seven separate circuses in this movie (all of them running in Las Vegas at the time the movie was made), and some of their best acts are shown (there are also some rather brief random acts, which don't seem to fit with anything).  The Airealist is captured by some bodies (who knows who) and the girl keeps on searching, until finally they're reunited.  (Who knows how?)

So irrelevant is all this to what you see on the screen that it barely matters.  What matters is the Circus, and the artists, and the design, and the fantastic stage props and machinery, and the costumes, and the utter artistry of these performers.  Yes, I know Cirque du Soleil has become the household name for all that's top class in circuses, so you expect the best, but even so, they are always full of surprises.  The acts performed in and around the huge pool are wonderful; the marvellous superheroes piece on an assortment of trampolines set up like a huge skateboard park are high energy to the max; the 'fight' on the tilted floor between two groups of acrobats on wires is superbly timed, and perhaps only outdone by the other battle on the same floor (this time vertical) in which the acrobats race up and around and down and through a series of poles sticking out of the floor, with nothing to hold them onto to what amounts to a wall; several of them 'die' with horrendous screams by falling off it- who knows what happens to them, any more than the artists who drop into the water from trapezes and other hanging devices early in the piece. 

There's also the exhausting 'boat' that's slung way up in the air and has at least a dozen trapeze artists and strongmen on it: it's constantly on the move, like a giant swing, and the airealists are flung about from either end like rag dolls that suddenly turn out to have muscles and strength once they're back on board again. 

I love circuses - poor little circuses with barely any money to rub together (Circus Aotearoa, for instance) or the noisy Zirka Circus - but I love Cirque du Soleil most of all, even though I've only seen it once live - and that was in very confined quarters as far as the circus was concerned, on the stage of the Regent Theatre.  I've seen a number of presentations of Cirque du Soleil on TV, including documentaries and such.  I just marvel at the attention to detail, the atmosphere, the innovativeness and much more. 

This movie may not do much more than capture some of the best acts on film, but it does it exceptionally well, and that's all I need to say.

Top ten and coincidences

I haven't caught up with my HitTail results for a while, so, having had a reminder from them yesterday, I thought I'd check out what's hot in regard to the top ten keywords.  These top ten words are apparently 15.6% of all my search traffic.

HitTail suggests only one phrase as a keyword this week: random film free, a rather odd phrase, you'd think.  But apparently people have picked this blog up as a result. I tried it, and this blog didn't get listed until the third page - admittedly there were only ten results per page, so that's probably not bad.

Apart from that, and the fact that putting in random film free might not have helped the searcher a great deal when he or she came across my blog, here are the top ten results.  Nine of them are old favourites; only one is a bit out of left field, and that's number four on the list, which comes up as googleads.g.doubleclick.net.  Now I can't imagine anyone putting that in as a search, so it's plainly something a machine has done.  Good luck to it; when I put it in as a search I get the brush-off from Google.  

Zirka Circus review tops the list this time around, with Zirka Circus coming second.  I must be one of the few people to have written about the Zirka Circus, which is why I'm so popular!

Athlete's hand comes third, and bingo! Mike Crowl comes fifth.  The Great Divorce notes comes sixth - people still picking up something I wrote about C S Lewis' Great Divorce at some point and Google matching it up with the title of my blog.  Chrissy Popadics is, as always, on the list, followed by Frederick Buechner marriage.  Penultimately there's James Berardinelli, whom I haven't written about for more months than there are in a year, and probably longer; in fact, I haven't even read much of Berardinelli in the same time.   And finally there's another old favourite: skinny tie (skinny ties is thirteenth on the list.)  It's interesting that the image for the skinny ties post and a photo of Berardinelli appear in the 'Popular Posts' list down the right hand column.  Zirka Circus is there too, and Buechner, so I guess these are there because there are so many searches for them.  Chrissy Popadics appears under her married name of Johnson in this list.  It's kind of a circle really, isn't it?  People search for the thing so the posts become popular, and the popular posts get searched.  Hmm.  

That's just my top ten list, of course.  The list goes on forever, whittling its way down from nearly 300 hits for each search item to just one.  HitTail's reason for existing is to point out the little words that people search for so that you can make more of these; it's the counter approach to the way most SOEs work.  I could look up all these little words, but I thought I'd stick to a simpler task and check out what words or phrases have been searched for today that brought the searcher in touch with my blog.  There are four: betty boop on stage, oscar wilde on art, into the open air sheet music, charles horton cooley.  Charles Horton Who?  

I didn't think I'd ever written about this bloke, but I have.  Considering that I don't appear anywhere near the top on the search results it's surprising anyone found this site, and it's surprising that HitTail says they did.  But there you go.  I remember writing about Betty Boop, but again she doesn't appear in the search results unless I put some connector, like mike crowl.  

The Oscar Wilde reference is there, again requiring some additional input, but into the open air sheet music turns up easily without additional words; fourth on the list, in fact.  And here's a nice coincidence.  Years ago I wrote a post on Boise, which happened to mention Chrissy Popadics.  Boise doesn't turn up in my HitTail results very readily, but Chrissy does all the time.  The coincidence is that my daughter-in-law comes from Boise, and now lives in Minneapolis with my son.  The post that turns up in relation to open air sheet music tells me that the sheet music in question - painted onto a building - is in Minneapolis. 

Catching up on HitTail after a spell

It's quite a while since I checked out HitTail's results for this blog - I used to do it regularly (partly for something to write about), but I notice that they've got results going back to March this year which I've never looked at.

That's okay, we'll sort that in due course.

Meantime, I also checked the search words that people have used that bring them to my site.   Amazingly athlete's hand continues to do well - it's at the top.   One little post from I don't when - and a joke post at that - and this is the result.   Crazy.

The second in line is a bit of a newbie to me: googleads.g.doubleclick.net.  I looked at that and wondered what the heck it was, since it seems an odd thing for someone to enter in Google's search box.   Anyway, doing exactly that, I find that it comes up with an explanation from Google's help desk itself.   I began to read the explanation, got bogged down a couple of sentences in, and let my brain say, Pooh, don't get that - too difficult to understand without concentration. 

Another curiosity keeps coming up on the list - it's currently third in line: Zirka circus.   The post I did on this in 2010, has obviously drawn some people over and over.  Zirka circus is a NZ-based group, with mostly an Asian cast.   Some very good stuff in it too.

Surprise, surprise, my own name comes up fourth on the list.   Wow, I must look for myself an awful lot, or else there are a lot of other Mike Crowl's out there doing the same thing.   (One was a headmaster at a high school in the States who got himself into strife, being accused of harrassing his staff.  He resigned, and I haven't caught up with what happened subsequently.)   In Google.co.nz, by the way, this blog comes up first if you enter Mike Crowl as a search term.

Zirka Circus review gets fifth place, and The Great Divorce notes sixth.   This latter search term has been one of the tops for a long time, although you won't ever find any 'notes' on C S Lewis' The Great Divorce on my blog.   It's just the fact that the blog title has 'notes' in it that makes the difference!

Nintendo jewellery and Brent Stavig make seventh and eighth - again two items that have earned pride of place on this blog for their regular appearances (mostly because I keep writing about them because they keep turning up on HitTail - it's a bit of a Catch 22).

James Berardinelli and Frederick Buechner marriage are the last two in the top ten.   I haven't mentioned Berardinelli for a long time: he's the film reviewer who has hundreds of reviews on imdb.com - not ibdm.com as I first typed: they have a site too, and it's also about movies.  Cunning!

People must look for the quote on marriage by Buechner and find it on my site.   Guess it's a helpful thing to use at your wedding...

The hundreds of other search terms that make it onto my list are often repeats of the above ones in some form or other, and all the old favourites are still there.   Before I go I just need to mention some of the 'keywords' that have sent people to the blog; some quite intriguing ones...top heavy body builder, armwrestling my wife, [like that one] skinny ties versus normal ties, where to buy cigars in Dunedin, drugs corner cut off of credit card [what?].

It has to be said that if you went looking for any of these in an Encyclopedia it's doubtful you'd find them.   Good old Google!

Blog stats

Every so often it's worth checking out one of the systems that keeps track of the stats relating to this blog. Here are the top pages with the number of times they've been accessed over the last short period of time....notice the dates the posts were published; the third top one goes back to 2007...Boise also happens to be the place my future daughter-in-law comes from. Wonder if there's a connection?
I'm glad to see that Grimhilda! has made it well up the list, though I'm not sure why she should be behind 'skinny ties' or Frederick Buechner on marriage.
The meaning of Winnie the Pooh is just behind Grimhilda! - curiously enough, the beginning of the Pooh post is a spoof on literary criticism, rather than something serious.
The other item that intrigues me here is the one on the Zirka circus: this has been a popular post since the time it first appeared. Don't ask me why!

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Circus Aotearoa

Last year my daughter, grandson and I caught up with the Zirka Circus, a mostly Asian troupe. This was a circus that relied heavily on every member of the team being willing to so everything, including selling programmes, light sabres, tickets and so on. It was circus rendered small-scale, we thought.

And then we saw Circus Aotearoa. This is circus on a very small, very tight budget. (The aerial artiste's fishnet stockings had a large patch sewn on, for instance.) In fact, our first reaction was, this is pretty budget - and that not thought in the most friendly of senses.

A clown had some fun with small kids and an unstrung tennis racket before the actual show started, but the opening two acts didn't do much to encourage more enthusiasm. The string broke on the ringmaster's eggcup device (it's that thing you have on a string and send flying up into the air in order to catch it). He coped well with this, and managed to do his short act without one handle. The next act was the lady tightrope walker - except that she was performing on what you'd have to call a slack rope. Intentional, I'm sure, but it seemed a little odd.

However, after this, things suddenly picked up and it was a matter of spotting which of the eight performers was doing what for the rest of the afternoon. The ringmaster (yes, this circus, unlike Zirka, had a ringmaster) had a stint as a clown, and was very good. The clown from the beginning turned up again in his own act of balancing on various things that shouldn't be balanced on while juggling, and again as a half-clown tennis pro who juggled his tennis racquets and again in some other guise. The tight-rope lady did various other swinging or trapeze-type acts - four in all. One of the guys who seemed to be on hand only to throw things to the other artists, or pick up after them turned out to be a rope-swinger, doing some dazzling stuff up above our heads. The lady who'd ushered people in and then turned her attention to the sound desk came on for at least three acts in which she turned from total clowning (complete with whistle in one act) to some wonderful stuff with up to ten hula hoops. And a couple of guys who were supposed to throw knives - at someone, it never became clear who - were also on hand to do other jobs and acts at different times. (Their knife-throwing act was both clever and clownish - taking some poor guy out of the audience and fooling him into thinking he'd thrown two knives at one of the cast and somehow managed to hit the right spot each time.)

It was the good Kiwi humour and sense of fun that enlivened the show. A nice down-playing of the talent - talent good enough to fit into any decent travelling circus (you were never sure whether someone had intentionally goofed or whether it was part of the act) , and a sense of teamwork made you forget there were so few performers. There were no pyrotechnices, no lighting displays (in fact, someone had apparently forgotten to turn the - one and only - light on at the beginning), no big pieces of equipment, and even some of the costumes had a slight look of having come from an op shop (those of the clowns rather than the 'acts' people). And yet once it got underway it engaged the audience without difficulty and spoke on a level everyone was comfortable with.

It may not be a show to make you gasp at the displays of skill (we've become a bit blase about people doing daring things) but it's very entertaining and well worth a visit, though if you're expecting to see everything listed on their site's FAQ, you'll be disappointed....

More on the circus - more than the ODT has reported, in fact!

Just one other thought about the post I wrote on the Zirka Circus yesterday. It's a curious thing that there is no programme available for the circus, where you might find out who the artists are, nor is there any information on them on the website. Only the photos in the gallery section. Nothing more.

This seems fairly typical of circuses - at least the ones that travel throughout NZ. The artists are anonymous to the nth degree. And our local paper doesn't even seemed to have reported that the Zirka circus is in town. Very strange.

So I'm doing my little best here to promote it. Go to the Zirka Circus. It's worth your money!

Random thoughts on the Zirka Circus

Went to see the Zirka Circus with some members of my family today. Very noisy, music-wise, but the music itself was good and very suitable for what was going on. Quite a small troupe – I counted around twenty at the end, almost equally men and women. A youngish man and woman took the lead in practically everything; he was on for around twenty minutes solid at the beginning, and she turned up in every one of the women’s acts (except the cycle riding at the end, I think) and often appeared when the two of them came in as a romantic couple – there wasn’t any story as such, although it started off seeming as though there might be.

No ringmaster – they seem to have gone the way of the dodo – and very little vocal stuff from the cast, except to shout ‘Hoi’ or some such when they’d performed a trick. The two clowns (both white, as opposed to an otherwise Asian company) didn’t speak words, but used whistles to ‘speak’ (adding to the general piercing noise when they both got going). There was at least one child in the troupe: a boy who couldn’t have been much more than twelve, if that. He was very small, certainly. He did some remarkable balancing on his right hand – including ‘climbing’ down and up the stairs on it.

Most of the standard (Asian) acts were there: the swinging around on silken material; nine women on a single bike; balancing plates on sticks; swinging those things consisting of two ‘weights’ (for want of a better word) held together by a rope; the women doing the string held on two sticks (one in each hand) thing where they toss a round item with a ridge in it so that it stays on the string; the men on large metal double-sided wheels that they begin by wobbling around at speed and gradually building up until they’re balancing on one edge or such; the main woman doing the balancing on chairs thing where she gradually adds another chair; three women doing juggling with large balls while lying on the backs – and eventually doing it while up above each other; most of the men playing with Mexican style bowler hats and juggling with them (in that way that makes it look as though one of them is always suspended in mid-air), and then of course standing on each other and tossing them around; tumbling through hoops. You can see examples of all these in the gallery on the Zirka website.

Their TV ad is there too - it gives an idea of the energy levels, but is over very quickly (the double-wheel is momentarily visible).

The end of the first half consisted of a double wheel (similar to what I’ve just attempted to describe) held together in the centre by various metal struts, and slung in the air by solid cables. I’m not sure how it all worked, but it was a bit like two of those endless wheels that mice are sometimes given to race around in joined together. One of the white males got in one of them and got the whole thing swinging around so that he would go from floor level right up and around to the ceiling and back down again. The other wheel of course was like a counterbalance to this, and one of the Asian guys got into the other side and began doing daredevil stuff such as going upside down and finally walking on the outside of the wheel as it hit its highest point, slipping through the metal structure in the middle and going up over the other wheel as it reached the peak – then doing juggling while he was up there, and then putting on a blindfold and doing it. That was certainly the most breathtaking act in the circus.

There was a bit of a magic section in which a woman was put in a box and fiery brands passed through it – then she wasn’t there when they opened it, and then three women climbed out of the top. Even if they do do it with mirrors it was pretty impressive.

The whole thing had heaps of energy, one act sliding into the next with little hiatus. Lots of dry ice to give atmosphere. And several members of the cast selling stuff before the show and during the interval – including the little boy. No star-glamour here!

Photo of the Zirka Circus Tent by Cafe Cecil